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(2018). Toward a Transversal Reading of Art and Politics in Israel, Israel Studies Review, 33(2), 105-122. Retrieved Jun 19, 2019.<\/a><\/p>\n<p>Abstract: The 2011 Israeli protest for social justice marked a change in<br \/>\nthe responses of Israeli citizens to political and social matters. The ways in<br \/>\nwhich art and social change intersected during the protest, and the emergence<br \/>\nof art collectives following the events, call for an understanding<br \/>\nof the relation between art and politics in Israel. This article suggests an<br \/>\nalternative reading of socially engaged art in Israel. To this end, I use F\u00e9lix<br \/>\nGuattari\u2019s notion of \u2018transversality\u2019 and Jacques Ranci\u00e8re\u2019s theory on the<br \/>\n\u2018aesthetic regime\u2019 to highlight significant periods where art and politics<br \/>\nhave intersected in ways that have challenged Israeli art historiography,<br \/>\noften neutralizing the political within an artwork. By using a theoretical<br \/>\nframework that emphasizes notions of hybridity and the blurring of<br \/>\nboundaries, I make new connections between times, places, and practices<br \/>\nthat go beyond the binaries of center and periphery, mainstream and alternative,<br \/>\nand aesthetics and politics.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>About Heara Events and Hearat Shulaym (among other interesting topics) \u00a0in an article by Mor Cohen, publisehd at Cohen, M. (2018). Toward a Transversal Reading of Art and Politics in Israel, Israel Studies Review, 33(2), 105-122. Retrieved Jun 19, 2019. Abstract: The 2011 Israeli protest for social justice marked a change in the responses of &hellip; <a href=\"https:\/\/old.sala-manca.net\/?p=1467\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">Toward a Transversal Reading of Art and Politics in Israel by Mor Cohen<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":1468,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[13],"tags":[],"class_list":["post-1467","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-press-and-articles"],"_links":{"self":[{"href":"https:\/\/old.sala-manca.net\/index.php?rest_route=\/wp\/v2\/posts\/1467","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/old.sala-manca.net\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/old.sala-manca.net\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/old.sala-manca.net\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/old.sala-manca.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1467"}],"version-history":[{"count":1,"href":"https:\/\/old.sala-manca.net\/index.php?rest_route=\/wp\/v2\/posts\/1467\/revisions"}],"predecessor-version":[{"id":1469,"href":"https:\/\/old.sala-manca.net\/index.php?rest_route=\/wp\/v2\/posts\/1467\/revisions\/1469"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/old.sala-manca.net\/index.php?rest_route=\/wp\/v2\/media\/1468"}],"wp:attachment":[{"href":"https:\/\/old.sala-manca.net\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1467"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/old.sala-manca.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1467"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/old.sala-manca.net\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1467"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}