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<\/a>Ronen Eidelman, Lea Mauas, Diego Rotman (eds.),\u00a0*Heara \u2013 Independent Art in Jerusalem at the Beginning of the 21st Century,<\/strong>\u00a02014,\u00a0<\/strong>Jerusalem:\u00a0Hearat Shulaym, 2014\u00a0[English and Hebrew | Book, 352 p.]<\/p>\n*Heara\u00a0<\/i>is a collection of testimonies, reflections, interpretations and documentations of\u00a0Heara\u00a0<\/i>events, as well as images from issues of\u00a0Hearat Shulaym\u00a0<\/i>(Note in the Margin)<\/i>, an independent\u00a0contemporary art and literature journal published together and as an inherent part of the events.\u00a0The book includes articles published in\u00a0Hearat Shulaym\u00a0<\/i>and additional articles written especially\u00a0for the book by Israeli artists and scholars, as well as artworks which were part of the\u00a0Heara\u00a0<\/i>art\u00a0project.\u00a0The art events and journal were active in divided, grief-stricken Jerusalem of the Second Intifada,\u00a0outside conventional art venues and without any cooperation or funding by the government or\u00a0private corporations. Nevertheless, the events managed to form fascinating connections between\u00a0artists operating in different media \u05be visual art, theater, poetry, video and sounds, and created a\u00a0platform of growth and articulation for hundreds of artists, producing exciting, unpredictable,\u00a0inspiring and thought-provoking pieces.<\/p>\n
<\/p>\n
To read it on-line:<\/a><\/p>\n To download it:\u00a0<\/a><\/p>\n","protected":false},"excerpt":{"rendered":" Ronen Eidelman, Lea Mauas, Diego Rotman (eds.),\u00a0*Heara \u2013 Independent Art in Jerusalem at the Beginning of the 21st Century,\u00a02014,\u00a0Jerusalem:\u00a0Hearat Shulaym, 2014\u00a0[English and Hebrew | Book, 352 p.] *Heara\u00a0is a collection of testimonies, reflections, interpretations and documentations of\u00a0Heara\u00a0events, as well as images from issues of\u00a0Hearat Shulaym\u00a0(Note in the Margin), an independent\u00a0contemporary art and literature journal published … Continue reading *Heara \u2013 Independent Art in Jerusalem at the Beginning of the 21st Century – Book<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":1505,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[14],"tags":[],"class_list":["post-1502","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-publications"],"_links":{"self":[{"href":"https:\/\/old.sala-manca.net\/index.php?rest_route=\/wp\/v2\/posts\/1502","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/old.sala-manca.net\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/old.sala-manca.net\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/old.sala-manca.net\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/old.sala-manca.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1502"}],"version-history":[{"count":2,"href":"https:\/\/old.sala-manca.net\/index.php?rest_route=\/wp\/v2\/posts\/1502\/revisions"}],"predecessor-version":[{"id":1506,"href":"https:\/\/old.sala-manca.net\/index.php?rest_route=\/wp\/v2\/posts\/1502\/revisions\/1506"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/old.sala-manca.net\/index.php?rest_route=\/wp\/v2\/media\/1505"}],"wp:attachment":[{"href":"https:\/\/old.sala-manca.net\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1502"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/old.sala-manca.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1502"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/old.sala-manca.net\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1502"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}