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An original text in hebrew is interpreted at the same time that is projected in latin lettters. The texts in the slides are designed in a way that remind works of concrete poetry. Not every time the synchro is correct, not every time is the same way of latinization. The &#8220;distance&#8221; between the spoken word and it graphic expression are the basis of the work.<img loading=\"lazy\" decoding=\"async\" class=\" size-medium wp-image-218 alignleft\" src=\"http:\/\/old.sala-manca.net\/wordpress\/wp-content\/uploads\/2015\/01\/responseuno.gif\" alt=\"responseuno\" width=\"206\" height=\"165\" \/>\u00a0 \u00a0 \u00a0<img loading=\"lazy\" decoding=\"async\" class=\"  wp-image-215 alignnone\" src=\"http:\/\/old.sala-manca.net\/wordpress\/wp-content\/uploads\/2015\/01\/responsedos.gif\" alt=\"responsedos\" width=\"206\" height=\"164\" \/><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\" size-medium wp-image-217 alignleft\" src=\"http:\/\/old.sala-manca.net\/wordpress\/wp-content\/uploads\/2015\/01\/response21.gif\" alt=\"response21\" width=\"211\" height=\"150\" \/>Concrete Response II is a performance for digital slide, live video, mouth and two voices.<br \/>\nThe performance continues our visual and sound research on the easthetics of the difference and deals with the gap between the written letter (the text), its voiced expression, the body and the icon. Between the concrete poetryand a concrete response.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Produced for the Voice of the Word performance festival, Hazira, 2002-2003. | Curator: Hadas Ophrat Modern Lovers Exhibition, Three Colts Gallery &#8211; London | Curators: Pil and Galia Kollectiv Video Bardo Performance Festival &#8211; Buenos Aires,\u00a0Bamat Meizag &#8211; Tel Aviv, Performa 01 Festival &#8211; Jerusalem, Heara 2 &#8211; Jerusalem,\u00a0\u00a0Kosmonaut &#8211; Tel-Aviv, Tel-Aviv University, Concrete Response &hellip; <a href=\"https:\/\/old.sala-manca.net\/?p=214\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">Concret Responses I, II (2002, 2003)<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":215,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[23],"tags":[203,28,202,201,74],"class_list":["post-214","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-performance","tag-bamat-meitsag","tag-hadas-ophrat","tag-javier-robledo","tag-pil-and","tag-video-bardo"],"_links":{"self":[{"href":"https:\/\/old.sala-manca.net\/index.php?rest_route=\/wp\/v2\/posts\/214","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/old.sala-manca.net\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/old.sala-manca.net\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/old.sala-manca.net\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/old.sala-manca.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=214"}],"version-history":[{"count":3,"href":"https:\/\/old.sala-manca.net\/index.php?rest_route=\/wp\/v2\/posts\/214\/revisions"}],"predecessor-version":[{"id":793,"href":"https:\/\/old.sala-manca.net\/index.php?rest_route=\/wp\/v2\/posts\/214\/revisions\/793"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/old.sala-manca.net\/index.php?rest_route=\/wp\/v2\/media\/215"}],"wp:attachment":[{"href":"https:\/\/old.sala-manca.net\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=214"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/old.sala-manca.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=214"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/old.sala-manca.net\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=214"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}