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{"id":260,"date":"2006-12-18T14:44:45","date_gmt":"2006-12-18T14:44:45","guid":{"rendered":"http:\/\/old.sala-manca.net\/wordpress\/?p=260"},"modified":"2015-01-20T06:40:28","modified_gmt":"2015-01-20T06:40:28","slug":"searastorm-2006-2007","status":"publish","type":"post","link":"https:\/\/old.sala-manca.net\/?p=260","title":{"rendered":"Seara\/Storm, 2006-2007"},"content":{"rendered":"

vers 2.0 presented @ Hapzura Series, Digital Art Lab Holon | curator: Eran Sachs & Heara 10 | The Science Museum | curator: Sala-manca<\/p>\n

Seara\/Storm *<\/strong><\/p>\n

In 1950 during a party on the roof of Marian Loop, celebrating the 100 anniversary of Tomas Robinson’s invention of the wind meter, Regina Handke, Marian Loop and Joao Delgado decided to build a wind meter as a quotation to Robinson’s original machine.<\/p>\n

\"OLYMPUS<\/a> Regina Handke, the Hungarian-Yiddish poet, who began in those days to learn Hebrew, told her friends that in Modern Hebrew there are two meanings to the word “seara”: hair and storm**. Delgado and Loop got excited from the linguistic discovery, and decided to build a wind meter based on a hair.<\/p>\n

In 1955 the machine was brought to Israel and activated in a symbolic and nationalistic act, using David Ben Gurion’s hair. This experiment made Ben Gurion very disappointed from his hair quality, who sent the machine away.<\/p>\n

In 2005 the machine was exhibit for the first time in fifty years in the frame of the Jerusalem Film Festival. In 2006 the machine is exhibited again , this time not only the wind meter has been repaired but also the sound-wind visual meter.<\/p>\n

* This machine is part of sala-manca\u2019s collection of Joao Delgado\u2019s works.
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