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{"id":707,"date":"2012-01-20T19:05:47","date_gmt":"2012-01-20T19:05:47","guid":{"rendered":"http:\/\/old.sala-manca.net\/?p=707"},"modified":"2015-01-22T21:23:04","modified_gmt":"2015-01-22T21:23:04","slug":"the-church-of-criticism-2012","status":"publish","type":"post","link":"https:\/\/old.sala-manca.net\/?p=707","title":{"rendered":"The Church of Criticism, 2012"},"content":{"rendered":"

Installation, in the frame of The Museum of the Contemporary, Mamuta in Ein Karem<\/p>\n

Another stop along the tourists’ route, where art becomes the decoration of a private school-trip experience. The museum is a modern secular church and the performance executed in the Church is a combination of a mass, sermon and poetry reading. A reference to the unique geographic site of the Museum of the Contemporary, midway through the pilgrimage route to the Church of Visitation. A sculptural object, duplication of an Eastern European church to the Arab village; another comment on the process of converting the house’s original identity, “halfway” between the architectural tradition of a Norwegian church and a zimmer in northern Israel. The Church of Criticism features and quotes Western philosophers as icons of the Church’s outlook.<\/p>\n

[*Knesiat Habikoret, a play on the Hebrew name of Church of Visitation]<\/p>\n

Pine wood, stained glass, projector, mixer, computer, music machine, microphones, metal megaphone, camera obscura :pierced black wallpaper, tracing paper<\/p>\n

\"IMG_1844\"<\/a><\/p>\n

 <\/p>\n

Sound of the Installation: Yarden Erez, “The Temple of Contemporary”<\/p>\n